Adoration Of The Puppy
Nov. 27th, 2014 07:40 amThe final day about which I need to write concerning our trip to Italy is Tuesday, when we headed to the Vatican, a separate country after Benito Mussolini gave the Pope full control over this small area with the signing of the Lateran Treaty in 1929, creating the smallest country in the world in the process. There's no discernible way of noticing you are in a separate country as none of the signs are in Latin, disappointingly, but the huge fortress wall down the northern edge does at least give you an idea when you have crossed the border. Barely noticeable travertine (the word of the trip by the way) blocks in the ground give next to no clue on the other side around St Peter's Square.
We travelled by metro over to the western part of Rome, over the Tiber to Ottaviano-San Pietro. From here it's straight down a busy street, trying to dodge the myriad of different sellers of guided tours of the Vatican. There were loads - there must have been over 100 around the Vatican perimeter - all promising to beat the queues and allowing tourists to see the sights quicker. Initially we ignored them but standing outside the impressive white concentric columned arches of St Peter's Square, we noticed the lines to see the Sistine Chapel were monumentally long and we couldn't find a place to get tickets. A friendly female tour guide noticed our plight and she convinced us to go on one of her company's tours. Feeling uneasy at first, her friendly nature and her official badge put my mind at ease as we headed back up the street we had just come down, away from the Vatican and towards a backstreet head office of Maya tours. We paid €48 for a guided tour around the Vatican Museum, the Sistine Chapel and St Peter's which turned out to be excellent value for money in the end. Granted, we were told a 15 minute wait that became bearer 35 but once the tour guide appeared, she efficiently directed us to the front entrance of the Museum and over the border of yet another country. No fuss. We were hooked up with crackly radios and an earpiece, from which we could hear her talking more clearly as she guided the ten of us around some of the key features of the museum, including Pope Francis's signed football shirt from the current Argentina football squad. He likes football apparently.
The key memory from this tour was standing in a tranquil garden overlooking the exquisite dome of St Peter's Basilica, with some signs directly in front of us detailing the beautiful artwork inside the Sistine Chapel. As it is forbidden to talk there, our guide had to detail Michaelangelo's Last Judgement and ceiling in the garden, as did the guides of all of the other tours going through. There were seven different stations at least where this was being done. This whetted our appetite to see the real thing and we were not disappointed - The Last Judgement in particular with its deep dark blue is such a powerful and evocative work close up, even to someone who is not religious. The hues invited you into the picture, immersing you in its message, and it must have been powerful for any believer who saw it from the time it was painted. The power of the colours was aided no doubt by a 20-year restoration project which finished in 1994. We were given a good 15 minutes in the Sistine Chapel to soak up the exquisite artwork, with the ceiling another masterpiece which defies description when you see it in the flesh (or should that be the fresco). The history behind both works is interesting in itself - with Michaelangelo's self-portrait said to be in the flayed skin of St Bartholomew and Michaelangelo including the image of a cantankerous bishop being squeezed by a snake in the bottom right as he disparaged the work - and being stood in the very building when the cardinals have their conclave to decide the new Pope was again an incredible delight. The ceiling also contains the much noted outstretched finger in the Creation of Adam but the ceiling, which displays the Biblical story of man, really needs to be taken as a whole rather than by individual panels. The same is true with the rest of the chapel as Michaelangelo's work tends to dominate over that of the other frescos which are equally stunning in their own right and add a significant depth to the whole environ. It was a pleasure being inside the Sistine Chapel aside from the huge number of tourists, with quite a few flagrantly ignoring the no flash photography rule. This made me angry as it has the potential to damage the paintings, but the guards were pretty hot on their tails and Wolfie even reported one tourist to them. He was right to do so.
The Vatican Museums are over 7km long and we got to see just over 2km on a rather whistle stop tour of the main attractions. The Belvedere Torso, deemed to be the most perfect torso ever sculpted, was one of them but I was saddened to later discover that we missed the Rafael rooms. Being a keen cartographer and having a strong interest in geography, my favourite room was undoubtedly the long corridor detailing many maps, mainly of parts of present day Italy, I think from the seventeenth century. The maps were huge paintings on the walls and all were drawn to scale, with every key port noted. It was fascinating comparing those maps with the landscape today, seeing what had survived, what hadn't and the relative sizes of these places then and now.
The tour ended in St Peter's, where the guide bid us farewell and we were free to explore this awe-striking monumental structure. A mongrel of a basilica, it initially started out as a simple Greek cross in shape before being converted into a Latin cross, pulled between the competing visions of its chief architects and the resident Popes of the time. With pale brown being the dominant colour, the atmosphere is somewhat sombre inside, but the use of gold does enhance the beauty of the building, not least in the Latin inscription that goes around the top of the walls. It is a breathtaking space in which to be, no less so than underneath Michaelangelo's stupefyingly gorgeous dome, which we climbed to the top of, in order to get a closer look. This was a real highlight for me as we also got a bird's eye view of the nave, appreciating the sheer grandeur of the design and the engineering involved in a time when modern construction methods and technology didn't exist. The intricately patterned mosaics on the wall, which formed beautiful images, although difficult to see from ground level, were testament to the dedication and devotion involved in constructing the basilica. Unfortunately, Wolfie is scared of heights and had to dart past this section while he also bailed on climbing to the top of the cupola, not liking the narrowing twisting staircase and claustrophobia of the dome closing in as we completed our assent. Being with others doing the climb too, it did get a little intense, with the increased heart rate and giddiness of climbing up so many steps not helping. He went back down quickly and waited at the bottom while I enjoyed an exquisite view over St Peter's Square and the city of Rome beyond. It was worth it.
I did tell Wolfie that he didn't have to come up with me to the tower but I still felt a little guilty as I had darted off at stage two of the climb just after the aforementioned mosaic bit. After we had completed our descent to ground level, we hugged and checked out the basilica one last time (but sadly missing another masterpiece by Michaelangelo, his Pieta) as it was a tranquil and relaxing place to be. I do like churches of this impressive scale as, although they can make you feel a little insignificant, you do get imbued with a sense of the talent and creativity of the human race.
We then ejected ourselves from the complex and into St Peter's Square when, frustratingly for the first time that day, it stated to rain. We dipped into the Vatican post office to pick up some Vatican stamps as a souvenir (which I think I have sadly misplaced since) before risking the light shower and heading back out into the large airy square. On Easter Sunday as many as 300,000 faithful cram into this square and the thought of that too was quite inspiring. The arcing colonnades - of 284 travertine columns, 88 pilasters and 140 statues of the saints - mimic arms widening to envelope you, drawing the city in with its welcoming grip. Created by Bernini between 1656 and 1667 in perfect symmetry, there are two points in the middle of the square where the four rows of columns line up perfectly. In the middle of the square stands a 25m tall obelisk of red granite, brought from Egypt by Caligula in AD 37. The obelisk also works as a sundial, with appropriate illuminated lines on the pavement to its north, marking the correct placing of its shadow dependent on what sign of the zodiac we are currently in. Interestingly, the Square stands on Nero's Circus where early Christians used to be martyred, again highlighting the influence of the Romans on our modern practices. This seemed to be a common theme throughout the trip and probably the main thing I took away from our fascinating trip to Rome. We didn't get to see everything - missing out on looking around Pont Sant'Angelo, the main defensive castle of the city and a vestige for Popes in strife - but we did get to see a lot of it. I still think I'll be coming back to Italy though, not just to see bits of the cities we missed but also to see some of the rolling Italian countryside too. There's still an awful lot of the country I would like to explore.
We travelled by metro over to the western part of Rome, over the Tiber to Ottaviano-San Pietro. From here it's straight down a busy street, trying to dodge the myriad of different sellers of guided tours of the Vatican. There were loads - there must have been over 100 around the Vatican perimeter - all promising to beat the queues and allowing tourists to see the sights quicker. Initially we ignored them but standing outside the impressive white concentric columned arches of St Peter's Square, we noticed the lines to see the Sistine Chapel were monumentally long and we couldn't find a place to get tickets. A friendly female tour guide noticed our plight and she convinced us to go on one of her company's tours. Feeling uneasy at first, her friendly nature and her official badge put my mind at ease as we headed back up the street we had just come down, away from the Vatican and towards a backstreet head office of Maya tours. We paid €48 for a guided tour around the Vatican Museum, the Sistine Chapel and St Peter's which turned out to be excellent value for money in the end. Granted, we were told a 15 minute wait that became bearer 35 but once the tour guide appeared, she efficiently directed us to the front entrance of the Museum and over the border of yet another country. No fuss. We were hooked up with crackly radios and an earpiece, from which we could hear her talking more clearly as she guided the ten of us around some of the key features of the museum, including Pope Francis's signed football shirt from the current Argentina football squad. He likes football apparently.
The key memory from this tour was standing in a tranquil garden overlooking the exquisite dome of St Peter's Basilica, with some signs directly in front of us detailing the beautiful artwork inside the Sistine Chapel. As it is forbidden to talk there, our guide had to detail Michaelangelo's Last Judgement and ceiling in the garden, as did the guides of all of the other tours going through. There were seven different stations at least where this was being done. This whetted our appetite to see the real thing and we were not disappointed - The Last Judgement in particular with its deep dark blue is such a powerful and evocative work close up, even to someone who is not religious. The hues invited you into the picture, immersing you in its message, and it must have been powerful for any believer who saw it from the time it was painted. The power of the colours was aided no doubt by a 20-year restoration project which finished in 1994. We were given a good 15 minutes in the Sistine Chapel to soak up the exquisite artwork, with the ceiling another masterpiece which defies description when you see it in the flesh (or should that be the fresco). The history behind both works is interesting in itself - with Michaelangelo's self-portrait said to be in the flayed skin of St Bartholomew and Michaelangelo including the image of a cantankerous bishop being squeezed by a snake in the bottom right as he disparaged the work - and being stood in the very building when the cardinals have their conclave to decide the new Pope was again an incredible delight. The ceiling also contains the much noted outstretched finger in the Creation of Adam but the ceiling, which displays the Biblical story of man, really needs to be taken as a whole rather than by individual panels. The same is true with the rest of the chapel as Michaelangelo's work tends to dominate over that of the other frescos which are equally stunning in their own right and add a significant depth to the whole environ. It was a pleasure being inside the Sistine Chapel aside from the huge number of tourists, with quite a few flagrantly ignoring the no flash photography rule. This made me angry as it has the potential to damage the paintings, but the guards were pretty hot on their tails and Wolfie even reported one tourist to them. He was right to do so.
The Vatican Museums are over 7km long and we got to see just over 2km on a rather whistle stop tour of the main attractions. The Belvedere Torso, deemed to be the most perfect torso ever sculpted, was one of them but I was saddened to later discover that we missed the Rafael rooms. Being a keen cartographer and having a strong interest in geography, my favourite room was undoubtedly the long corridor detailing many maps, mainly of parts of present day Italy, I think from the seventeenth century. The maps were huge paintings on the walls and all were drawn to scale, with every key port noted. It was fascinating comparing those maps with the landscape today, seeing what had survived, what hadn't and the relative sizes of these places then and now.
The tour ended in St Peter's, where the guide bid us farewell and we were free to explore this awe-striking monumental structure. A mongrel of a basilica, it initially started out as a simple Greek cross in shape before being converted into a Latin cross, pulled between the competing visions of its chief architects and the resident Popes of the time. With pale brown being the dominant colour, the atmosphere is somewhat sombre inside, but the use of gold does enhance the beauty of the building, not least in the Latin inscription that goes around the top of the walls. It is a breathtaking space in which to be, no less so than underneath Michaelangelo's stupefyingly gorgeous dome, which we climbed to the top of, in order to get a closer look. This was a real highlight for me as we also got a bird's eye view of the nave, appreciating the sheer grandeur of the design and the engineering involved in a time when modern construction methods and technology didn't exist. The intricately patterned mosaics on the wall, which formed beautiful images, although difficult to see from ground level, were testament to the dedication and devotion involved in constructing the basilica. Unfortunately, Wolfie is scared of heights and had to dart past this section while he also bailed on climbing to the top of the cupola, not liking the narrowing twisting staircase and claustrophobia of the dome closing in as we completed our assent. Being with others doing the climb too, it did get a little intense, with the increased heart rate and giddiness of climbing up so many steps not helping. He went back down quickly and waited at the bottom while I enjoyed an exquisite view over St Peter's Square and the city of Rome beyond. It was worth it.
I did tell Wolfie that he didn't have to come up with me to the tower but I still felt a little guilty as I had darted off at stage two of the climb just after the aforementioned mosaic bit. After we had completed our descent to ground level, we hugged and checked out the basilica one last time (but sadly missing another masterpiece by Michaelangelo, his Pieta) as it was a tranquil and relaxing place to be. I do like churches of this impressive scale as, although they can make you feel a little insignificant, you do get imbued with a sense of the talent and creativity of the human race.
We then ejected ourselves from the complex and into St Peter's Square when, frustratingly for the first time that day, it stated to rain. We dipped into the Vatican post office to pick up some Vatican stamps as a souvenir (which I think I have sadly misplaced since) before risking the light shower and heading back out into the large airy square. On Easter Sunday as many as 300,000 faithful cram into this square and the thought of that too was quite inspiring. The arcing colonnades - of 284 travertine columns, 88 pilasters and 140 statues of the saints - mimic arms widening to envelope you, drawing the city in with its welcoming grip. Created by Bernini between 1656 and 1667 in perfect symmetry, there are two points in the middle of the square where the four rows of columns line up perfectly. In the middle of the square stands a 25m tall obelisk of red granite, brought from Egypt by Caligula in AD 37. The obelisk also works as a sundial, with appropriate illuminated lines on the pavement to its north, marking the correct placing of its shadow dependent on what sign of the zodiac we are currently in. Interestingly, the Square stands on Nero's Circus where early Christians used to be martyred, again highlighting the influence of the Romans on our modern practices. This seemed to be a common theme throughout the trip and probably the main thing I took away from our fascinating trip to Rome. We didn't get to see everything - missing out on looking around Pont Sant'Angelo, the main defensive castle of the city and a vestige for Popes in strife - but we did get to see a lot of it. I still think I'll be coming back to Italy though, not just to see bits of the cities we missed but also to see some of the rolling Italian countryside too. There's still an awful lot of the country I would like to explore.